FILM REVIEW: TITANIC 3D

By Michael Phillips 2013-10-04

Tribune Newspapers Critic

3 1/2 stars

The ship so nice they sank it twice, the RMS Titanic has resurfaced from the icy depths of the Atlantic only to be subjected to a second dunking, this time with a 3-D up-charge, under the stewardship of Capt. James Cameron, master and commander.

This week, Cameron's 1997 film -- perhaps you've heard of it? -- returns to theaters on both regular and IMAX-sized screens, just in time for this month's 100th anniversary of the doomed vessel's maiden and farewell 1912 voyage. How's the 3-D? It's fine. It's pretty good. More on that later, as this review, in keeping with the film, enters its third hour.

But it must be said: This is still a straight-up postproduction 3-D conversion job, the sort of thing Cameron himself bad-mouthed (deservedly) after his own"Avatar,"which was shot in ground-up and genuinely immersive 3-D, made such a splash. As a hunk of popular cinema, "Titanic" is superior to "Avatar." But as a 3-D hunk of popular cinema, "Avatar" wins because "Avatar" was shot in 3-D, not converted later.

When the panic-on-the-Titanic romance starring Leonardo DiCaprio and Kate Winslet first came out, I caught it twice, thereby qualifying me for permanent 14-year-old girlhood. The picture remains the worst-written blockbuster I happily paid to see a second time. (Friends of mine feel similarly about "Avatar," the only film that grossed more grosses than "Titanic.")

Now. Why is this? Given the banality of so much of what is actually spoken on screen during the 194 minutes of "Titanic," why does it work so well? Two reasons, I think.

One: Cameron is a genius at instilling narrative dread and designing a hokum-drenched fairy tale of a certain size. Line to line his scripts are laden with eye-rollers. But he knows how to sustain an audience's interest in the terrible things to come, be it a mass watery grave or genocidal slaughter on another planet.

Two: He knows when to shut up, or rather, shut his characters up, and simply dive into images. In "Titanic," the first dissolve from the underwater wreckage to the great ship's white-linen and polished brass finery remains a remarkable and potent transition. Sequences such as these go a long way toward making up for every single moment Billy Zane is on screen, elevating his terrible plutocratic-bully dialogue to stratospherically lousy heights of excess.

For those who have never seen "Titanic," it's about a Wisconsin lad (DiCaprio), short on funds but long on moxie, who saves the Zane character's fiancee (Winslet) from a suicide attempt and, ultimately, a life of suffocating riches. The poor boy and the rich girl fall in love. They consummate their love in the back seat of an automobile on board the boat. The boat hits the ice. And every time your eyes reset to rolling position, Cameron gives you another majestic panorama of wonder, or mass suffering, or nerve-racking, death-defying triumph amid desolation.

The movie can't compete with "A Night to Remember" (1958), which remains the truly essential film about the disaster. But it's not really trying to, despite the obvious overlaps. Cameron operates lower down on the shamelessness scale but also higher up in terms of using the latest cinematic technology to support, not overwhelm, the story at hand.

It's sweet to hang out with Leo and Kate 15 years later. So young, so young. But most actors, it turns out, age a lot more in 15 years than these two have. DiCaprio today sometimes seems boxed in by his own youthful countenance. By contrast Winslet, even then, had the maturity and the fire of a seasoned actress. For me the reason "Titanic" works has everything to do with the scene in which Winslet's Rose, floating among the corpses and the remains of the ship's furnishings, finally gets breath enough in her lungs to blow that warning whistle to attract the attention of a lifeboat. It's the hokiest brand of suspense, yet Winslet's suffering somehow never becomes risible.

The 3-D you can take or leave, frankly. Wearing those glasses cuts out a dubious percentage of the brightness and vibrancy of the picture's imagery. Cameron recently had this to say to one interviewer about doing to "Titanic" what others have done, in his view, more cravenly and less successfully: "My personal philosophy is that post-conversion should be used for one thing and one thing only -- which is to take library titles that are favorites that are proven and convert them into 3-D -- whether it's 'Jaws' or 'E.T.' or 'Indiana Jones,' 'Close Encounters' ... or 'Titanic.' Unless you have a time machine to go back and shoot it in 3-D, you have no other choice. The best alternative is if you want to release a movie in 3-D -- make it in 3-D."

He's right. That is the best alternative. But I'd be more interested in Cameron's inventing that time machine.

MPAA rating: PG-13 (for disaster-related peril and violence, nudity, sensuality and brief language).

Running time: 3:14.

Cast: Kate Winslet (Rose); Leonardo DiCaprio (Jack Dawson).

Credits: Written and directed James Cameron, produced by Cameron and Jon Landau. A Paramount Pictures release.

Back to Movie Details

Movie News

FILE - In this April 6, 2011 file photo, actor Alec Baldwin speaks during a news conference on Capitol Hill in Alec Baldwin, speaking at a reception Thursday Sept. 18, 2014, says he is passionate about green energy. And he's hoping next week's United Nations climate summit brings home to Americans that the United States has fallen behind other countries in promoting wind and solar power.  (AP Photo/Susan Walsh, File)
Alec Baldwin passionate about green energyAlec Baldwin says he's passionate about green energy and wants US to use more wind and solar
The Associated Press10 hours ago
Review: Neeson in action again in 'Tombstones'Film Review: Liam Neeson back in action again in 'A Walk Among the Tombstones'
The Associated Press20 hours ago
FILE - In a April 26, 2014 file photo, actor Kevin Spacey walks the green carpet as he arrives for the 15th annual International Indian Film Awards, in Tampa, Fla. A Massachusetts woman, Linda Louise Culkin of Quincy, Mass., who threatened to blow up, torture and castrate Spacey in what prosecutors called a “persistent and malevolent” cyberstalking campaign, was sentenced Wednesday, Sept. 17, 2014, to more than four years in prison. A federal judge in Boston also ordered Culkin to pay Spacey $124,000 in restitution for bodyguards.The 55-year-old Culkin has been jailed since January 2012, meaning she has about 18 months left to serve. She pleaded guilty in November to charges including mailing threatening communications, and sending false information regarding explosives.(AP Photo/Brian Blanco, File)
Massachusetts woman who stalked Spacey sentencedMassachusetts woman who threatened actor Kevin Spacey sentenced to more than 4 years in prison
The Associated Press22 hours ago
Fey, Bateman have off-screen chemistry, too'This Is Where I Leave You' stars Tina Fey and Jason Bateman have off-screen chemistry, too
The Associated Press1 day ago
Review: 'Maze Runner' doesn't find its own pathFilm Review: 'The Maze Runner' doesn't find its own path
The Associated Press1 day ago
Movie News